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Anthropocene, post-humanism, biopolitics ? These terms are often used first in an academic context before being used outside the academic world, once their usefulness has become known to the wider public. Whether in official policy documents, in catalogues of expositions or in applications for subsidies, these terms tend to show up regularly.In this book, 50 terms that are important in contemporary cultural theory are explained by experts in the field. They clarify what the term means, how it is used in different contexts and which discussions the term has triggered. Some of these terms refer to political issues (surveillance, political theology, multitude), gender and queer studies (post-feminism, heteronormativity, intersectionality), media theory (convergence, algorithm) or the art world (curating, participation, performance).This book functions as a compendium of key terms in contemporary cultural theory. It is of use for students in the humanities, but also for professionals in the cultural field.Bron : http://www.pelckmanspro.be

Sociology of culture --- 7.039(038) --- Kunst- en cultuurtheorie ; 21ste eeuw ; terminologie --- Kunstgeschiedenis ; 2000 - 2015 ; woordenboeken --- #SBIB:316.7C120 --- 316.7 --- 316.7 Cultuursociologie --(algemeen) --- Cultuursociologie --(algemeen) --- Cultuursociologie: algemene en theoretische werken --- kunst --- kunsttheorie --- kunstgeschiedenis --- eenentwintigste eeuw --- woordenboeken --- naslagwerk --- 7.01 --- 001.8 --- 130.2 --- Cultuur --- Cultuursociologie --- Taalgebruik --- Cultuurstudies --- culture-related concepts --- Cultuurstudie --- Toerisme --- cultuursociologie --- cultuurfilosofie

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Mies van der Rohe schuf zwischen 1910 und 1965 unter dem Einfluss von Dada, Konstruktivismus und De Stijl eine Vielzahl von Fotomontagen und Collagen, die die Gestaltungsprinzipien seiner Architektur verdeutlichen. Die meist grossformatigen Arbeiten sind jedoch weit mehr als skizzenhafte Begleiter architektonischer Entstehungsprozesse: Sie sind eigenständige Kunstwerke, die die baulichen Visionen des Architekten zeigen. Die Grenzen zwischen bildender Kunst und Architektur fliessen hier ineinander. Abrupte Blickwechsel, die Freiheit von Perspektive, Ort und Zeit, das Montieren von vorgefundenen Elementen und eine auf verschiedene Materialien konzentrierte Ästhetik, wie sie bei Mies zum Einsatz kommen, stehen in einem historischen Kontext zu anderen Künstlern. Exhibition: Ludwig Forum, Aachen, Germany (28.10.16 - 12.02.2017) / Museum Georg Schäfer, Schweinfurt, Germany (26.02. - 28.05.2017).

Architecture, Modern --- Collage --- Exhibitions. --- Mies van der Rohe, Ludwig, --- 72.07 --- Architecten. Stedenbouwkundigen A - Z --- Exhibitions --- 77.092.07 --- 72.038 --- 7.07 --- 7.037 --- Architectuur ; collages ; montages ; 1910-1965 ; L. Mies van der Rohe --- Fotocollages --- Fotomontages --- Presentatie van informatie ; architectuur --- Modernisme --- Mies van der Rohe, Ludwig 1886-1969 (°Aken, Duitsland) --- Fotografen A - Z --- Architectuurgeschiedenis ; 1950 - 2000 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1900 - 1950 --- architects --- Mies van der Rohe, Ludwig --- Photocollage --- Mies Van Der Rohe, Ludwig --- Mies Van Der Rohe, Ludwig, --- Collage - Exhibitions --- Photocollage - Exhibitions --- Mies Van Der Rohe, Ludwig, 1886-1969

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Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history. 

Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Léonard Gaultier, Abraham Bosse, Dürer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy.


Art and Philosophy --- Aesthetics, Modern --- Visual communication in art --- Art, Renaissance. --- Art, Modern --- 930.85 "15/17" --- 1 "15/17" --- 1 "15/17" Filosofie:--Moderne Tijd --- Filosofie:--Moderne Tijd --- 930.85 "15/17" Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- Art, Renaissance --- Renaissance art --- Art --- Aesthetics --- Philosophy and art --- Philosophy --- History. --- History --- Philosophie et art --- Esthétique --- 76:655.5 "15/17" --- 76.049 :1 --- 655.533 --- 655.533 Boekillustratie --- 655.533 Book illustrations. Pictorial matter in books --- Boekillustratie --- Book illustrations. Pictorial matter in books --- Philosophy and psychology of culture --- Painting --- anno 1600-1699 --- anno 1700-1799 --- anno 1500-1599 --- anno 1500-1799 --- philosophy --- visual literacy --- philosophy of art --- pictorial views --- visual aids [education tools] --- visual culture --- MAD-faculty 18 --- kunst en filosofie --- kunstgeschiedenis --- visuele cultuur --- Europa --- Philosophie et art. --- Art and Philosophy - Europe --- Aesthetics, Modern - 17th century --- Aesthetics, Modern - 18th century --- Visual communication in art - Europe - History --- Art, Modern - 18th century